From original Nomadland.com website.
The following is a listing of the equipment Michael used in his recording studio “The Speech & Hearing Clinic” in Mendocino, California.
MCI/Sony JH 110 1″ 8-track w/ 8 channels of Dolby SR
Otari MTR 20 ―” 2-track
Otari MX 5050 ž” 2-track
Sony PCM 501 2-track F-1
Sony TCD-D10 Pro R-DAT
Calrec M series 12×2 mixer
Mackie 8-buss for sub-mixing stereo effects, stereo synths, etc.
Soundcraft Series Two 12×4 located in the studio to allow Michael to control his own headphone mix
2-channel mic preamp by Millennia Media
2-channel tube preamp by James Demeter/Innovative Audio
2-channel Mic PreEminence by Studio Technologies
Audio & Design Scamp rack: assorted parametrics, quasi-parametrics, compressor/limiter, de-essers
T. C. 1140 4-band parametrics (4) (see Michael’s stage rig for more info on the 1140)
Sundholm 1/3-octave graphic with notch filters
Sundholm stereo 10-band graphic w/ notch filters
Orban 672A parametrics (2)
Assorted Rane graphics
Lexicon PCM-60 (2)
T. C. 2290 Delay
T. C. 1210 Spatial Expander
Lexicon PCM-42 Delay
Orange County comp/lim/exp (2)
Neumann M154 (2)
Assorted Calrec mics
Assorted others (Shure, AKG, Sennheiser, Beyer)
Control Room Monitor System
E. M. Long Elf system incorporating the following:
ELF system crossover
MDM-TA2 Time-Align monitors powered by Bryston 3B
ELF system sub-woofers powered by Phase Linear 700B
Mac Plus/Opcode Studio Plus
Digidesign Sound Designer
Mark of the Unicorn Performer
Andy McKee shares the story of how he discovered Michael’s music. Plus, a video of Andy recording Ragamuffin.
Calum Graham shares the story of how he was introduced to Michael’s music. Plus, a video of Calum playing “Dirge” with Michael Manring.
Andrew Gorny on how he started learning to play Michael’s music, and where it’s taken him. “Nailing all of the notes is one thing. Getting the techniques right is another….”