Jeff Titus was the organizer of the “Remembering Michael Hedges” tribute concert in December 2017. He is a guitarist and longtime Hedges fan, who performs finger-style compositions and arrangements on his harp sympitars.
Throughout the years since Michael Hedges left the planet on that tragic, rainy night in 1997, I have been compelled to render tributes to his inspiring life, music, and words.
The list included recording a cover of “Chava’s Song” for my debut album, performing some of his music in concert with Michael Manring, and the commissioning of two custom harp guitars, Oracle and Taproot, which were created for me by Fred Carlson as I imagined Michael would have wanted them.
By Summer 2017, I was sure someone had big plans to celebrate the 20th anniversary of his passing… I had no idea that someone was going to be me.
Earth to Manring (Aug 8, 2017): ‘Hi Michael, I assume there are several memorial/anniversary/tribute concerts in planning for Dec 2nd or around then this year to celebrate the 20-year milestone since Michael passed. Are you aware of something substantial?’
Manring: ‘I’m sorry to say I haven’t heard of plans for any Hedges tributes… It certainly would be nice to remember him in some way. Hard to believe it’s been 20 years!’
It didn’t take long to assemble an ‘A-list’ of players.
- Michael Manring – He was “in” immediately without question. There could be no real tribute to Michael Hedges without him present.
- Andy McKee – A massive Hedges fan, world-class guitarist and all-around good person, he was happy to dive-in with both feet!
- Alex de Grassi – A Windham Hill legend, close to Michael, and good friend was committed to play the upcoming Windham Hill Winter Solstice concert nearby, so we needed to find a way to sneak him in without being on the marquee – special guests!
- Michael Gulezian – Contemporary performing artist and friend of Michael’s who vehemently defends and protects the memory of Michael Hedges with his whole heart.
- Larry Kassin – An incredible flautist and concert promoter that knew Michael.
- Adam Werner – He wasn’t in the original plan, but we added him just before the show to play Two Days Old with Manring. Glad we did!
- Noaa Rienecker – Opening the show with Noaa, a relative unknown, made sense to me. He was busking all over Europe through the Summer and opening the show with him playing and singing MH’s arrangement of “While My Guitar Gently Weeps” just made sense to me.
Many of the key artists that should have played this show were already booked or unable to travel. If I had the luxury of time to plan and coordinate, I’m sure the list of performers would have been much, much longer!
With about 100 days until Dec 2nd, most of the major concert halls in the San Francisco Bay Area were already booked.
I tried everything from Freight & Salvage to The Sweetwater Music Hall to the Mystic Theatre with no luck. I finally found a venue in Marin County that had state-of-the-art streaming video facilities, and agreed on terms with the owners for the date, thinking we’d present the live performance online to the world in lieu of a lot of seats.
A few weeks later, the original venue informed me that they had somehow double-booked December 2. (More likely, they booked a holiday party!) Fortunately, I was able to secure the date—just before tickets were made available—with Z Space in San Francisco, a 250-seat venue typically used for theater productions, but seemingly ready for our concert
After confirming our guest list, remaining tickets were offered to the public—and we sold out on word of mouth soon after.
Also, we had to make this a benefit! The last thing I think anyone wanted to see was this tribute turn into some sort of commercial operation that exploited Michael’s legacy in any way. So I selected Harbin Hot Springs, a place Michael loved to visit, as the benefactor. They were in full support and provided some incredible photos and stories to be shown during the concert.
The night of the concert it was work, work, work. No time to even think, just pure logistics.
Sound check and setup was frantic, full of challenges, but then we were ready. We had a projector that was going to display all sorts of video dedications and rare content on a 30-foot high screen behind the performers. There were seven video cameras positioned all around the stage. All the performers were on site and warming up. It was time.
Right when we were about to start the show, the projector bulb blew out, and it was going to take almost an hour to replace it. It was getting late and the house was full, so I decided to start the show without the multimedia presentation we’d worked so hard on.
Here’s a quick highlights video – look for more on this website in the months to come!
Looking back I think that show represented some form of catharsis for many in attendance.
For me, it was a huge relief to have simply pulled-off an evening celebrating the man, the composer, and the guitarist that was Michael Hedges.
I also got to realize a dream: to play one of my all-time favorite pieces from Michael, but seemingly never performed live “Ménage à Trois” – which you can watch here…